{"id":884,"date":"2013-05-01T04:04:54","date_gmt":"2013-05-01T02:04:54","guid":{"rendered":"http:\/\/padjournal.net\/?p=884"},"modified":"2022-04-13T17:34:32","modified_gmt":"2022-04-13T15:34:32","slug":"design-from-greece","status":"publish","type":"post","link":"https:\/\/www.padjournal.net\/new\/design-from-greece\/","title":{"rendered":"Papairlines Inaugural Flight from Greece"},"content":{"rendered":"

Summer of 2011 was a rather uncertain time in Greece. It was when Vasso and Costas had returned from abroad and started rediscovering the centre of Athens. Through their walks, observing people behaviors and everyday scenarios, they were wondering how design could intervene to create new opportunities. Loukas, still based in London, kept them in the loop with the latest and greatest design news from a location where creativity is already embedded as a tool in contemporary culture.
\nA few weeks later, all three met and started discussing ways to expose the new directions in design to the public. In the Greek scene where design is mostly connected with furniture and interior, there seemed to be plenty of space to start talking about new genres such as critical, service, innovation and experience design.
\nTo make their ideas travel, they decided to create the first no-budget airline and called it Papairlines<\/em>. Fleet made of paper and ideas ready to materialize, they set out to communicate the role of design as a catalyst for change in all aspects of our everyday lives. Sounds grand? Well actually, they are taking one step at a time.\u00a0The airline concept is indicative of budget limitations but full of creative energy to spread a positive message. Paper planes carry a childhood reference, a time when all was possible and thinking was unbiased.
\nFor their first initiative they developed and curated an exhibition where Greek and international designers would respond to a common brief; to create and construct unexpected functional objects made out of the iconic green-yellow kitchen sponge. The project was called ‘Once Upon A Sponge’. Not knowing what to expect in response, they trusted that designers would be intrigued and get creative. The designer submissions revealed that design thinking offers realistic answers to everyday situations, not just on form and function, but also on emotion, social behaviors and underlying meaning.
\nPapairlines<\/em> had been invited to present the project in metamatic:taf<\/em>, a gallery in Monastiraki, the heart of Athens, that doubles as a cultural and social space for Athenians and tourists alike. Baring in mind that papairlines crew had the expectation to produce a rich visual and emotional experience for the public and budget was limited, things got interesting.
\nOn these grounds, papairlines set out to look for sponsors, volunteers, people in a mood to help and creative solutions for the whole setup. Unsurprisingly, sponsorships came easier in kind rather than cash, which made for an intricate exercise in resourcefulness. They ended up with 40 meters of uncut sponge, 1200 single kitchen sponges and 20 of so electrical appliances to play with. The uncut sponge turned into sofas and wall cladding, the kitchen sponges into \u2018pixels\u2019 for an interactive installation and appliances took center stage to become plinths. Whitewashed to retain a domestic and fun feel, the electric appliances, which were on their way to the recycling factory, made a one-month stop in the gallery space before being disassembled.
\nOn the press and communication side of things, Papairlines<\/em> teamed up with a music TV channel and an online portal, both of which promoted the exhibition on a regular basis. Papairlines<\/em> developed a form of barter with parties interested to contribute, exchanging services without exchanging money, helping each other even in times where means are scarce.
\n‘Once Upon A Sponge’ was carefully crafted to offer visitors not only a complete experience but also food for thought. The exhibition identity, graphics and layout were developed holistically. The presented work, as a collection, highlighted the process behind design and the diversity of design thinking regardless of the material-based common origin. The exploration of material properties and manufacturing techniques offered visitors an insight on ‘how things are made’. In a wider sense, the project outcome illustrates how design can be used as a research tool to create new stories and scenarios around a specific constrain. Collectively, creative thinking generated a positive impression to the visitors, evident by the feedback received through social media and Check-in message board<\/em>\u00a0interactive installation pictures. A casual reading room with relevant literature was also at hand for anyone requiring more information on the theoretical background of the project.
\nThe exhibition run from the 10th of May to 16th of June 2012 at metamatic:taf<\/em> and was afterwards presented at the ‘Santorini Biennale of Arts’ during the summer. For the Biennale, the setup concept moved along the same lines, using found materials and available resources; fortunately a few cable reels did the job. The project was also presented in the international conference ‘Artist in Industry: the role of design in the digital age’\u00a0in Bucharest discussing how an object can tell a story, how creative thinking can contribute to solving everyday problems, whether constraints can act as a stepping stone for something new and if design today can take on a more active role.
\n‘Once Upon A Sponge’ was developed with a shoestring budget and plenty of love, gaining loads of friends and fans along the way. Its success and outreach not only comes to prove that one has to be resourceful, proactive and sometimes embrace uncertainty to make things happen, but also that design can be used as a creative and strategic tool forming an integral part of our everyday life.
\nCostas Bissas, Vasso Asfi and Loukas Angelou are papairlines co-director<\/em>\u00a0– papairlines@gmail.com
\nwww.papairlines.org<\/a><\/p>\n

L\u2019Estate del 2011 \u00e8 stato un periodo di grande incertezza per la Grecia. Vasso e Costas erano appena ritornati dall’estero e avevano iniziato a riscoprire il centro di Atene.<\/p>\n

Nelle loro passeggiate, osservando i comportamenti delle persone e gli scenari quotidiani, si interrogavano su come il design potesse intervenire per creare nuove opportunit\u00e0. Mentre Loukas, che stava ancora a Londra, un luogo in cui la creativit\u00e0 \u00e8 assimilata come strumento nella cultura contemporanea, li rendeva partecipi di ci\u00f2 che avveniva nel circuito del design informandoli sulle ultime novit\u00e0.<\/p>\n

Qualche settimana pi\u00f9 tardi, tutti e tre si incontrarono e cominciarono a dialogare sul modo migliore per mostrare le nuove tendenze del design al pubblico. La scena greca, in cui il design \u00e8 in gran parte connesso alla produzione di mobili e al progetto degli interni, sembrava offrire grande spazio per iniziare a parlare di nuovi tipi di approcci del design, come il design critico, quello dei servizi, dell\u2019innovazione e delle esperienze di progettazione.<\/p>\n

Per far \u201cviaggiare\u201d le loro idee, decisero di creare una linea aerea no-budget e di chiamarla Papairlines<\/em>: una flotta di carta e di idee pronte a materializzarsi che si prefiggono di comunicare il ruolo del design come catalizzatore del cambiamento in tutti gli aspetti della vita quotidiana.<\/p>\n

Sembra una grande idea? Beh, in realt\u00e0 stanno facendo un passo alla volta.<\/p>\n

Il concetto di compagnia aerea \u00e8 indicativo delle limitazioni di budget, ma \u00e8 al contempo espressivo dell\u2019energia creativa per la diffusione di un messaggio positivo. Gli aerei di carta hanno un chiaro riferimento all\u2019infanzia, un periodo in cui tutto \u00e8 possibile, e il pensiero \u00e8 genuino.<\/p>\n

Per la loro prima iniziativa hanno organizzato e curato una mostra in cui designer greci e internazionali hanno mostrato le loro proposte in risposta a un semplice brief<\/em>: creare e costruire inaspettati oggetti funzionali fatti con l\u2019iconica spugna da cucina verde-gialla.\u2028 Il progetto \u00e8 stato intitolato Once Upon A Sponge<\/em>.<\/p>\n

Non sapendo cosa aspettarsi come risposta, confidarono nell\u2019interesse dei designer incuriositi dal tema che avrebbe impegnato la loro creativit\u00e0. Le proposte dei designer hanno rivelato che il design thinking<\/em> \u00e8 capace di offrire risposte reali alle situazioni di tutti i giorni, non solo riguardo la forma e la funzione degli oggetti, ma anche riguardo alle emozioni, ai comportamenti sociali e al significato intrinseco delle cose.<\/p>\n

Questo progetto di Papairlines \u00e8 stato esposto presso metamatic: taf<\/em>, una galleria di Monastiraki, quartiere nel cuore di Atene, che funziona anche come spazio culturale e sociale per i cittadini di Atene e per i turisti. Considerando che il team\u00a0<\/em>di Papairlines intendeva offrire una ricca esperienza visiva ed emotiva al pubblico e che il budget era limitato, le cose divennero interessanti.<\/p>\n

Con queste premesse, la piattaforma Papairlines<\/em> ha iniziato a cercare sponsor, volontari, persone “con voglia di aiutare” e soluzioni creative per l’intera organizzazione. Non sorprende il fatto che \u00e8 stato pi\u00f9 facile ottenere sponsorizzazioni in natura, piuttosto che in denaro, la qual cosa ha causato un intricato esercizio di programmazione delle risorse in campo.<\/p>\n

In tutto sono stati impiegati 40 metri di spugna non tagliata, 1200 spugne singole da cucina e 20 elettrodomestici con cui giocare.\u00a0La spugna in telo \u00e8 stata trasformata in rivestimento di divani e pareti, le spugne da cucina in pixel<\/em> per un\u2019installazione interattiva e gli elettrodomestici hanno preso il centro della scena per diventare delle basi espositive.<\/p>\n

Con gli ambienti tinti di bianco per mantenere un’atmosfera domestica e divertente, con gli elettrodomestici riciclati, la mostra \u00e8 rimasta per\u00a0un mese nello spazio della galleria prima di essere smontata. Per quanto riguarda la diffusione e la comunicazione sui media, Papairlines ha usufruito, per la promozione dell\u2019evento, della collaborazione di un canale TV musicale e di un portale online.<\/p>\n

Papairlines ha permesso di sviluppare una forma di baratto con le parti interessate a contribuire, di scambio di servizi senza scambio di denaro, aiutandosi a vicenda anche in tempi in cui i mezzi sono scarsi. La mostra Once Upon A Sponge<\/em> \u00e8 stata realizzata con cura per offrire ai visitatori non solo un\u2019esperienza, ma anche spunti di riflessione.<\/p>\n

L’identit\u00e0 dell\u2019esposizione, la grafica e il layout sono stati sviluppati in maniera globale.\u00a0Il lavoro presentato, come in una collezione, ha messo in evidenza il processo che sta alla base del design e la diversit\u00e0 del pensiero di design indipendentemente dal materiale utilizzato. L’esplorazione delle propriet\u00e0 dei materiali e delle tecniche di produzione ha offerto ai visitatori una panoramica su “come le cose sono fatte”.<\/p>\n

In un senso pi\u00f9 ampio, l’esito del progetto illustra in che modo il design pu\u00f2 essere utilizzato come strumento di ricerca per creare nuove storie e scenari intorno a un vincolo specifico. Complessivamente, il pensiero creativo ha generato una risposta positiva nei visitatori, evidente anche dai commenti ricevuti attraverso i social media e\u00a0le immagini dell\u2019installazione interattiva, nominata Check-in message board<\/em>.\u00a0Una sala lettura con letteratura pertinente \u00e8 stata messa a disposizione per tutti coloro che chiedevano ulteriori informazioni sul background<\/em> teorico del progetto.<\/p>\n

La mostra, esposta dal 10 maggio al 16 giugno 2012 al metamatic:taf, durante l’estate successiva \u00e8 stata presentata alla “Biennale d’Arte di Santorini”. Per la Biennale, il concetto dell\u2019installazione si muoveva lungo le stesse linee, utilizzando materiali trovati e risorse disponibili: in questo caso un paio di bobine di cavo.<\/p>\n

Il progetto \u00e8 stato presentato anche alla Conferenza Internazionale “Artista nell’industria: il ruolo del design nell’era digitale” a Bucarest, per discutere su come un oggetto pu\u00f2 raccontare una storia, come il pensiero creativo pu\u00f2 contribuire a risolvere i problemi di tutti i giorni, e i vincoli possono agire come trampolino di lancio per qualcosa di nuovo e se il design oggi pu\u00f2 assumere un ruolo pi\u00f9 attivo.<\/p>\n

La mostra \u201cOnce Upon A Sponge\u201d \u00e8 stata realizzata con un budget ridotto e molta passione, e ci ha permesso di trovare molti amici e tifosi lungo il percorso. Il suo successo e l\u2019ampia diffusione dimostrano non solo che bisogna essere intraprendenti, proattivi e che, talvolta, \u201cabbracciare\u201d l’incertezza fa accadere qualcosa, ma anche che il design pu\u00f2 essere utilizzato come strumento creativo e strategico, parte integrante della nostra vita quotidiana.<\/p>\n

Costas Bissas, Vasso Asfi e Loukas Angelou sono co-direttori di papairlines\u00a0<\/em>– papairlines@gmail.com<\/p>\n

www.papairlines.org<\/a><\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Vasso, Costas and Loukas created papairlines, a creative platform that focuses on exposing the methodologies and process behind all things designed. This article describes their initial steps through ‘Once Upon A Sponge’ project in order to showcase how creativity and teamwork can be used as assets to overcome budget constrains and lack of recourses. Based on the public\u2019s response the project also illustrates the outreach of design in everyday life.Vasso, Costas e Loukas hanno creato Papairlines, una piattaforma creativa focalizzata sulle metodologie e i processi che stanno alla base di tutto ci\u00f2 che \u00e8 progettato. Questo articolo descrive i loro primi step nel progetto “Once Upon A Sponge\u201d, promosso al fine di mostrare come la creativit\u00e0 e il lavoro di squadra possono essere attivit\u00e0 che aiutano a superare il problema dei budget limitati e della mancanza di risorse che spesso vincolano i designer. In base alla risposta del pubblico, il progetto mette in evidenza l\u2019ampio raggio d’azione che il design ha nella vita quotidiana.<\/p>\n","protected":false},"author":17,"featured_media":2338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[15,26,7,8],"tags":[49,50,51,52,53,54],"class_list":["post-884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-en","category-i09","category-it","category-languages","tag-once-upon-a-sponge","tag-design","tag-exhibition","tag-greece","tag-papairlines","tag-research","entry"],"acf":[],"yoast_head":"\nPapairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD<\/title>\n<meta name=\"description\" content=\"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.padjournal.net\/new\/design-from-greece\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Papairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD\" \/>\n<meta property=\"og:description\" content=\"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.padjournal.net\/new\/design-from-greece\/\" \/>\n<meta property=\"og:site_name\" content=\"PAD\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/pad.journal\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-01T02:04:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-04-13T15:34:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@2x.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1930\" \/>\n\t<meta property=\"og:image:height\" content=\"544\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Loukas Angelou\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Loukas Angelou\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/\"},\"author\":{\"name\":\"Loukas Angelou\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#\\\/schema\\\/person\\\/b119ae193decf2992d7a294dd10d6646\"},\"headline\":\"Papairlines Inaugural Flight from Greece\",\"datePublished\":\"2013-05-01T02:04:54+00:00\",\"dateModified\":\"2022-04-13T15:34:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/\"},\"wordCount\":1923,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"keywords\":[\"'Once Upon A Sponge\u2019\",\"Design\",\"exhibition\",\"Greece\",\"papairlines\",\"research\"],\"articleSection\":[\"english\",\"issue 09\",\"italiano\",\"languages\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/\",\"url\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/\",\"name\":\"Papairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#primaryimage\"},\"thumbnailUrl\":\"\",\"datePublished\":\"2013-05-01T02:04:54+00:00\",\"dateModified\":\"2022-04-13T15:34:32+00:00\",\"description\":\"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#primaryimage\",\"url\":\"\",\"contentUrl\":\"\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/design-from-greece\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Papairlines Inaugural Flight from Greece\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#website\",\"url\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/\",\"name\":\"PAD\",\"description\":\"Pages on Arts and Design\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#organization\",\"name\":\"PADJournal\",\"url\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.padjournal.net\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/cropped-favPad.png\",\"contentUrl\":\"https:\\\/\\\/www.padjournal.net\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/cropped-favPad.png\",\"width\":512,\"height\":512,\"caption\":\"PADJournal\"},\"image\":{\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/pad.journal\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/#\\\/schema\\\/person\\\/b119ae193decf2992d7a294dd10d6646\",\"name\":\"Loukas Angelou\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/?s=96&d=mm&r=g\",\"caption\":\"Loukas Angelou\"},\"url\":\"https:\\\/\\\/www.padjournal.net\\\/new\\\/author\\\/loukas-angelou\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Papairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD","description":"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.padjournal.net\/new\/design-from-greece\/","og_locale":"it_IT","og_type":"article","og_title":"Papairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD","og_description":"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.","og_url":"https:\/\/www.padjournal.net\/new\/design-from-greece\/","og_site_name":"PAD","article_publisher":"https:\/\/www.facebook.com\/pad.journal\/","article_published_time":"2013-05-01T02:04:54+00:00","article_modified_time":"2022-04-13T15:34:32+00:00","og_image":[{"width":1930,"height":544,"url":"https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@2x.png","type":"image\/png"}],"author":"Loukas Angelou","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"Loukas Angelou","Tempo di lettura stimato":"10 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#article","isPartOf":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/"},"author":{"name":"Loukas Angelou","@id":"https:\/\/www.padjournal.net\/new\/#\/schema\/person\/b119ae193decf2992d7a294dd10d6646"},"headline":"Papairlines Inaugural Flight from Greece","datePublished":"2013-05-01T02:04:54+00:00","dateModified":"2022-04-13T15:34:32+00:00","mainEntityOfPage":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/"},"wordCount":1923,"commentCount":0,"publisher":{"@id":"https:\/\/www.padjournal.net\/new\/#organization"},"image":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#primaryimage"},"thumbnailUrl":"","keywords":["'Once Upon A Sponge\u2019","Design","exhibition","Greece","papairlines","research"],"articleSection":["english","issue 09","italiano","languages"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.padjournal.net\/new\/design-from-greece\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/","url":"https:\/\/www.padjournal.net\/new\/design-from-greece\/","name":"Papairlines Inaugural Flight from Greece \u2013 Pages on Arts & Design | PAD","isPartOf":{"@id":"https:\/\/www.padjournal.net\/new\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#primaryimage"},"image":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#primaryimage"},"thumbnailUrl":"","datePublished":"2013-05-01T02:04:54+00:00","dateModified":"2022-04-13T15:34:32+00:00","description":"PAD is the international, open access, and peer-reviewed e-journal published twice a year about all areas of design and arts research.","breadcrumb":{"@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.padjournal.net\/new\/design-from-greece\/"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#primaryimage","url":"","contentUrl":""},{"@type":"BreadcrumbList","@id":"https:\/\/www.padjournal.net\/new\/design-from-greece\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.padjournal.net\/new\/"},{"@type":"ListItem","position":2,"name":"Papairlines Inaugural Flight from Greece"}]},{"@type":"WebSite","@id":"https:\/\/www.padjournal.net\/new\/#website","url":"https:\/\/www.padjournal.net\/new\/","name":"PAD","description":"Pages on Arts and Design","publisher":{"@id":"https:\/\/www.padjournal.net\/new\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.padjournal.net\/new\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.padjournal.net\/new\/#organization","name":"PADJournal","url":"https:\/\/www.padjournal.net\/new\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.padjournal.net\/new\/#\/schema\/logo\/image\/","url":"https:\/\/www.padjournal.net\/wp-content\/uploads\/2022\/01\/cropped-favPad.png","contentUrl":"https:\/\/www.padjournal.net\/wp-content\/uploads\/2022\/01\/cropped-favPad.png","width":512,"height":512,"caption":"PADJournal"},"image":{"@id":"https:\/\/www.padjournal.net\/new\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/pad.journal\/"]},{"@type":"Person","@id":"https:\/\/www.padjournal.net\/new\/#\/schema\/person\/b119ae193decf2992d7a294dd10d6646","name":"Loukas Angelou","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","caption":"Loukas Angelou"},"url":"https:\/\/www.padjournal.net\/new\/author\/loukas-angelou\/"}]}},"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/posts\/884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/comments?post=884"}],"version-history":[{"count":1,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/posts\/884\/revisions"}],"predecessor-version":[{"id":6433,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/posts\/884\/revisions\/6433"}],"wp:attachment":[{"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/media?parent=884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/categories?post=884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.padjournal.net\/new\/wp-json\/wp\/v2\/tags?post=884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}