{"id":10,"date":"2021-12-06T18:15:16","date_gmt":"2021-12-06T17:15:16","guid":{"rendered":"http:\/\/localhost:8888\/?page_id=10"},"modified":"2026-10-05T23:36:48","modified_gmt":"2026-10-05T21:36:48","slug":"about","status":"publish","type":"page","link":"https:\/\/www.padjournal.net\/new\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n<figure class=\"wp-block-image alignfull size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"433\" src=\"https:\/\/www.pietroforino.com\/PAD\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-1024x433.jpg\" alt=\"PAD map's of authors\" class=\"wp-image-434\" srcset=\"https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-1024x433.jpg 1024w, https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-300x127.jpg 300w, https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-768x325.jpg 768w, https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-1536x650.jpg 1536w, https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-2048x866.jpg 2048w, https:\/\/www.padjournal.net\/wp-content\/uploads\/2021\/12\/Tavola-disegno-1@4x-100-1568x663.jpg 1568w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-columns alignfull padding is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column twoColumn is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><strong>PAD. Pages on Arts and Design<\/strong> is an international, peer-reviewed (double-blind), open-access, online journal dedicated to theoretical, historical, and critical research in arts and design. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The journal is published twice a year and has been continuously active since 2018.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In 2025, PAD was included in the Italian National Agency for the Evaluation of Universities and Research (ANVUR) list of <strong>Class A journals <\/strong>for Area 08 \u2013 Architecture and Sector 08\/C1 (Design and Technological Design of Architecture), the highest level of recognition within the Italian national research assessment system.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignfull padding is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading titoliAbout\">AIMS AND SCOPE<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column twoColumn is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">PAD aims to advance critical and scholarly inquiry into design and the arts as cultural, epistemological, and social practices. The journal welcomes theoretically, historically, and methodologically grounded contributions that address relevant questions and offer original perspectives and knowledge to contemporary international debates in design and arts research.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The scope of PAD includes, but is not limited to:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>design theory, history, and epistemology<\/li>\n\n\n\n<li>critical and cultural studies of design<\/li>\n\n\n\n<li>design practices, methods, and processes<\/li>\n\n\n\n<li>arts and design education and pedagogy<\/li>\n\n\n\n<li>industrial and product design, visual communication, and interaction and interface design<\/li>\n\n\n\n<li>visual and performing arts<\/li>\n\n\n\n<li>interior, architectural, and urban design<\/li>\n\n\n\n<li>interdisciplinary perspectives connecting design and the arts with the humanities and social sciences<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">PAD particularly encourages interdisciplinary and critical perspectives and contributions that engage with design cultures across diverse geographical, social, and cultural contexts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The journal combines the rigour of established academic publishing standards with the accessibility and openness of digital publishing, ensuring rapid dissemination and wide accessibility of research outputs. All articles are published open access, and accepted submissions are subject to a publication fee. Authors retain the copyright of their work.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignfull padding is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading titoliAbout\">HISTORY AND EDITORIAL DEVELOPMENT<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column twoColumn is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">PAD originates from <em>PalermoDesign<\/em>, an online magazine founded in 2005 by Vanni Pasca and a group of design researchers. Between 2005 and 2011, the publication explored emerging geographies of design with a particular focus on the Mediterranean context. In 2010, <em>PalermoDesign<\/em> was selected for the ADI Design Index for excellence in design research.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">From 2011 onward, PAD evolved into an international scholarly journal, expanding its editorial structure and positioning itself as a node within an international network of researchers engaged in critical debates on design culture and the arts. A double-blind peer-review process was formally adopted in 2012, and in 2014 PAD was officially recognised as a scientific journal by ANVUR. Further recognition followed with inclusion in the ADI Design Index 2017 (PAD#8 and PAD #13) in the category <em>Editorial Production and Historical and Critical Research<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignfull padding is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading titoliAbout\">POLICY AND INDEXING<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column twoColumn is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">All submissions undergo a double-blind peer-review process conducted by external reviewers. PAD adheres to internationally recognised standards of academic publishing and research ethics.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Language and Accessibility<\/strong><br>PAD is published entirely in <strong>English<\/strong> to support international accessibility and scholarly exchange. <br>Issues are generally organised around a thematic focus and developed through open calls for papers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Indexing and Identification<\/strong><br>PAD is identified by ISSN 1972-7887 and is indexed in <a href=\"https:\/\/portal.issn.org\/resource\/ISSN\/1972-7887\" target=\"_blank\" rel=\"noopener\">ROAD<\/a>, <a href=\"https:\/\/oaji.net\/journal-detail.html?number=11727\" target=\"_blank\" rel=\"noopener\">OAJI<\/a>, <a href=\"https:\/\/doaj.org\/toc\/1972-7887?source=%7B%22query%22%3A%7B%22bool%22%3A%7B%22must%22%3A%5B%7B%22terms%22%3A%7B%22index.issn.exact%22%3A%5B%221972-7887%22%5D%7D%7D%5D%7D%7D%2C%22size%22%3A100%2C%22sort%22%3A%5B%7B%22created_date%22%3A%7B%22order%22%3A%22desc%22%7D%7D%5D%2C%22_source%22%3A%7B%7D%2C%22track_total_hits%22%3Atrue%7D\" target=\"_blank\" rel=\"noopener\">DOAJ<\/a>, <a href=\"https:\/\/kanalregister.hkdir.no\/publiseringskanaler\/erihplus\/periodical\/info.action?id=499958\" target=\"_blank\" rel=\"noopener\">ErihPlus<\/a>, <a href=\"https:\/\/scholar.google.com\/scholar?hl=it&amp;as_sdt=1%2C5&amp;q=PAD+Pages+on+arts+and+design+ISSN+1972-7887&amp;btnG=\" target=\"_blank\" rel=\"noopener\">Google Scholar<\/a>, <a href=\"https:\/\/www.base-search.net\/Search\/Results?type=all&amp;lookfor=Pad%2C+Aiap+edizioni&amp;ling=0&amp;oaboost=1&amp;name=&amp;thes=&amp;refid=dcresen&amp;newsearch=1\" target=\"_blank\" rel=\"noopener\">BASE<\/a> (Bielefeld Academic Search Engine), <a href=\"https:\/\/fatcat.wiki\/container\/r27gj7xgune6xahui4dnuokmsi\" target=\"_blank\" rel=\"noopener\">Fatcat!<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns alignfull padding is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h2 class=\"wp-block-heading titoliAbout\">PAD COLOPHON<\/h2>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<p class=\"wp-block-paragraph\">Online Scientific Journal founded by Vanni Pasca in 2005<br>ISSN 1972-7887<br><br><br><br><br><strong>Editor-in-Chief<br><\/strong>Marinella Ferrara<br>Politecnico di Milano &#8211; Italy<br><br><strong>Advisory Board<br><\/strong>Tevfik Balc\u0131o\u011flu<br>Arkin University of Creative Arts and Design (ARUCAD), Turkey<br><br>Murat Bengisu<br>Izmir University of Economics &#8211; Turkey<br><br>Isabel Campi<br>Design Historian Foundation &#8211; Spain<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Luisa Collina<br>Politecnico di Milano &#8211; Italy<br><br>Eduardo Corte Real<br>Universidade Europeia \/ IADE &#8211; Portugal<br><br>Antonio da Cruz Rodrigues<br>Universidad Lusofona &#8211; Portugal<br><br>Soumiya Mikou<br>Moroccan Design Association &#8211; Morocco<br><br>Ely Rozenberg<br>RUFA &#8211; Rome University of Fine Arts &#8211; Italy<br><br>Mireia Frexia Serra<br>Universidad de Barcelona &#8211; Spain<br><br>Andreas Sicklinger<br>Alma Mater Studiorum Universit\u00e0 di Bologna &#8211; Italy<br><br>Fedja Vuki\u0107<br>University of Zagreb &#8211; Croatia<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<p class=\"wp-block-paragraph\"><strong>Managing Editor<br><\/strong>Chiara Lecce<br>Universit\u00e0 degli Studi di Napoli Federico II &#8211; Italy<br><br><strong>Editorial Assistants<br><\/strong>Laura Carugati<br>Politecnico di Milano &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lucia Ratti<br>Politecnico di Milano &#8211; Italy<br><br><strong>Editorial Board<br><\/strong>Giuseppe Amoruso<br>Politecnico di Milano &#8211; Italy<br><br>Helena Barbosa<br>Universidade de Aveiro &#8211; Portugal<br><br>Michela Bassanelli<br>Politecnico di Milano &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Letizia Bollini<br>Libera Universit\u00e0 di Bolzano &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stefania Camplone<br>Universit\u00e0 degli Studi di Chieti &#8211; Pescara &#8211; Italy<br><br>Roberto De Paolis<br>REPRISE &#8211; MUR independent scientific expert &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barbara Di Prete<br>Politecnico di Milano &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cinzia Ferrara<br>Universit\u00e0 degli Studi di Palermo &#8211; Italy<br><br>Francesco E. Guida<br>Politecnico di Milano &#8211; Italy<br><br>Ashley Hall<br>Royal College of Art &#8211; London &#8211; UK<br><br>Elif Kocabiyik<br>Izmir University of Economics &#8211; Turkey<br><br>Lia Krucken<br>Creative Change &#8211; Brazil and Germany<br><br>Carla Langella<br>Universit\u00e0 degli Studi di Napoli Federico II &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chiara Lecce<br>Universit\u00e0 degli Studi di Napoli Federico II &#8211; Italy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Giuseppe Lotti<br>Universit\u00e0 degli Studi di Firenze &#8211; Italy<br><br>Tomas Macsotay<br>Pompeu Fabra University &#8211; Spain<br><br>Alfonso Morone<br>Universit\u00e0 degli Studi di Napoli Federico II &#8211; Italy<br><br>Raquel Pelta<br>Universidad de Barcelona &#8211; Spain<br><br>Daniele Savasta<br>Izmir University of Economics, Turkey<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rosanna Veneziano<br>Universit\u00e0 degli Studi della Campania Luigi Vanvitelli &#8211; Italy<br><br>Li Zhang<br>Beijing Information Science and Technology University &#8211; China<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<p class=\"wp-block-paragraph\"><strong>Publishing Consultant<\/strong> Vincenzo Castellana, Architect &#8211; Italy<br><br><strong>Art Director<br><\/strong>Francesco E. Guida<br>Politecnico di Milano &#8211; Italy<br><br><strong>Web Site<br><\/strong><a href=\"https:\/\/www.pietroforino.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pietro Forino<\/a><br>Politecnico di Milano &#8211; Italy<br><br><strong>Correspondents<\/strong><br>Amina Agueznay<br>Morocco<br><br>H\u00e8la Hamrouni<br>Tunisia<br><br>Vesna Kujovic<br>Montenegro<br><br>Can \u00d6zcan<br>Turkey<br><br>Ana Perkovic<br>Croatia<br><br>Filip Roca<br>Montenegro<br><br>Azadeh Sabouri<br>Iran<br><br>Marco Sousa Santos<br>Portugal<br><br>Pascale Wakim<br>Lebanon<br><br><strong>PAD<\/strong><br>via Francesco Soave 15, 20135 Milano &#8211; Italy<br><a href=\"mailto:info@padjournal.net\">info@padjournal.net<\/a><br><a href=\"https:\/\/www.padjournal.net\" target=\"_blank\" rel=\"noreferrer noopener\">www.padjournal.net<\/a><br>PAD \u00a9 ISSN 1972-7887<br><br><strong>Publisher<\/strong><br>AIAP Edizioni<br>via A. Ponchielli, 3<br>20129 Milano<br><a href=\"http:\/\/www.aiap.it\" target=\"_blank\" rel=\"noreferrer noopener\">www.aiap.it<\/a><br><br>Publisher until 2017<br>LetteraVentidue Edizioni S.r.l.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>PAD. Pages on Arts and Design is an international, peer-reviewed (double-blind), open-access, online journal dedicated to theoretical, historical, and critical research in arts and design. The journal is published twice a year and has been continuously active since 2018. In 2025, PAD was included in the Italian National Agency for the Evaluation of Universities and&hellip; <a class=\"more-link\" href=\"https:\/\/www.padjournal.net\/new\/about\/\">Continua a leggere <span class=\"screen-reader-text\">About<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-10","page","type-page","status-publish","hentry","entry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>About \u2013 Pages on Arts &amp; Design | PAD<\/title>\n<meta name=\"description\" content=\"PAD is the international, open-access, and peer-reviewed e-journal published twice a year about all areas of design and arts research. 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