Sicilia is a magazine that still has much to tell and teach, in its absolute visionariness so constantly hovering between being a Sicilian, and even more viscerally a Palermitan magazine and being an international, contemporary, multilingual, experimental and forward- looking magazine. Sicilia, without fear of being accused of unnecessary and exaggerated local pride, deserves a much more in-depth study than has been done so far, through a careful analysis conducted in the different subjects involved in the folds of its pages. Here we will try to deepen its study, analyzing the magazine as a complex graphic artifact, through the lens of visual communication design, the discipline that will help us to investigate its concept, its development, its evolution and above all its constant experimentation.
‘Sicilia’. One, no one and one hundred thousand Sicilies