Arxiu de la categoria: italiano

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U.manifesto. Design, the Island and the real Community

Abstract: (Italiano) Questo articolo descrive il senso, i punti programmatici e i risultati fino ad oggi ottenuti dall’attività di sviluppo della pratica di design condotta da Luigi Patitucci in collaborazione con un folto gruppo di designer nella regione orientale della Sicilia. Quest’attività si fonda sul coinvolgimento di aziende, design e istituzione al manifesto dal titolo U.manifesto.

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Interview with Vincenzo Castellana

Abstract: (English) Vincenzo Castellana is an architect, designer, lecturer and co-founder, together with the executive committee of ADI Sicily, the regional delegation of ADI (Association for Italian industrial design).  For several years, he has been conducting activities aimed at the exploitation of local, territorial resources, both as an architect, through works of architectural recovery and as a designer committed to modernizing outdated productions in the territory. Current President of ADI Sicily, Castellana endeavors to establish communication between the world of little production companies and craftsmanship with the young designers from the schools of art and design.

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New design geographies. International workshops in Sicily

Abstract: (English) 2012 seems to have been a relevant year for design in Sicily. From Giulio Iacchetti to Giovanni Levanti, the island has witnessed numerous designers who have been invited by different institutions for various projects, thereby bringing to it their own experience. What is actually going on? Why are designers starting to spend time in Sicily not only for their holidays but also for the purposes of design? Is there a new wave that is inverting general trends and the usual geography of design dynamics? Who promotes design on the island and why do they do it? The most active side has certainly been the education sector. Since 2000 the Design courses of the Faculty of Architecture in Palermo have promoted a lot of activities connected to the world of design and now other institutions have taken the initiative of starting to call designers to teach on the island. One of these institutions is Abadir Academy, a private institution authorized by the Education Ministry.

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Design and new processes between culture and service

Abstract: (English) Places and services in Palermo are abuzz with new activities and processes. A territory almost devoid of industries, marked at the beginning of the 20th century by the Workshops Ducrot, seems to now have grasped the value of the word design and has begun to experiment with its various forms. The word Design (project) in the city candidate as 'European Capital of Culture 2019', is not only cool, fashion or for a few but has been transformed into: lab, creative industries, self-generation, service design, co-design.

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Paolo Zaami. The flow of things

Abstract: (English) Paolo is an illustrator, graphic and product designer, born in Palermo in 1986 and currently based in Milan. Graduated in Industrial Design at University of Palermo, then he moved to Milan to follow a master’s degree in Design Innovation. In 2011 he collaborated with Marco Piva office, being part of several design projects for Vitrum, KME, Unopiù. In 2012 he worked at Total Tool studio, dealing with research and graphic design for A2A, Expo 2015, Barbanera. Currently he works at DINN! Design Innovation Studio in Milan where he brings his knowledge of graphic and product design, his vision and his aim of “doing it right”. Discreet, accurate and determined; keen about art, illustrations and plasticine. Moving around a multicultural and multidisciplinary planning dimension, he has learned that design is fusion of knowledge.

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The current art scene in Sicily

Abstract: (English) How would you describe the creative identity of Sicilian art? Flexible, open, independent, free of local and provincial restrictions. Through its artists, Sicily nowadays confirms its role of primary importance in the world of contemporary art, thanks to an altogether new ability compared to the past to promote itself and gain a reputation, to frequently migrate to the centre of the action, to take up new challenges and arouse curiosity and interest. Artistic currents and forms of expression mingle and continuously blend, displaying an inquisitive spirit and designer orientation, often shared as part of a creative teamwork approach. From Palermo to Scicli, many young artists have devised no-profit platforms to exchange feedback, productive cells open to both local and international art, often acting as springboards for fruitful endeavours on the territory and innovative outreaches to the wider audience. So everything is OK, then? No, obviously not. The art system is still quite fragile. The result is a Sicily full of life but yet unable to manifest itself, promote art and grow.

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Maria Giuseppina Grasso Cannizzo. Architecture

Abstract: (English) Maria Giuseppina Grasso Cannizzo, a Sicilian born in Vittoria, receives the Gold Medal for Lifetime Achievement at the Triennale di Milano. A life in the Sicily of the carob, the Western borderline of the Iblea area where boundaries between lands are marked by low, dry stonewalls. She grew professionally in Turin in the 80's, working alongside Mario Merz, Alighiero Boetti, Pierpaolo Calzolari and other among the most innovative artists of the international scene.  Recently tributed one of the most prestigious career awards for an architect and hasting to move on to the next designer project.

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Photographers from a multifaceted island

Abstract: (English) This text proposes once more the introductory essay of the catalogue for the exhibition ‘ The new school of Sicilian photography', promoted by the Foundation Credito Valtellinese in 2011 and curated by Giovanni Chiaramonte, internationally renowned photographer, author of Sicilian origins but of European tradition and Professor at the Faculty of Architecture of Palermo. The 'school' refers to the figures and the work of three Sicilian photographers - Carmelo Bongiorno, Carmelo Nicosia, Sandro Scalia - belonging to the generation of authors who were born in Sicily between 1950 and 1960 and who work on the island. The three cover teaching roles at the Academies of Fine Arts in Catania (Bongiorno and Nicosia) and Palermo (Scalia) and they are, literally, the ‘leaders' in a discipline with strong technical vocation but also visionary poetic accents.

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‘Sicilia’. One, no one and one hundred thousand Sicilies

Abstract: (English) Sicilia is a magazine that still has much to tell and teach, in its absolute visionariness so constantly hovering between being a Sicilian, and even more viscerally a Palermitan magazine and being an international, contemporary, multilingual, experimental and forward- looking magazine. Sicilia, without fear of being accused of unnecessary and exaggerated local pride, deserves a much more in-depth study than has been done so far, through a careful analysis conducted in the different subjects involved in the folds of its pages. Here we will try to deepen its study, analyzing the magazine as a complex graphic artifact, through the lens of visual communication design, the discipline that will help us to investigate its concept, its development, its evolution and above all its constant experimentation.

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Design and Entrepreneurship: Palermo in the Liberty age

Abstract: (English) We are in Palermo, 1899, two relevant characters, such as Ernesto Basile and Vittorio Ducrot, at first glance belonging to distant working fields, meet and clash each other, creating the first partnership between a designer and an entrepreneur in Italy. Instead of the past stylish models, we have now the inspiration from Nature: the vegetable organic strength becomes the model for the development of the ornamental line.

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From Drop City to the African hackerspace

Abstract: (English) The modernity of the 'ad-hoc’ approach enhanced by the American counter-culture of the Sixties is proved by the numerous events recently dedicated to the topic. If the adhocracy is the opposite of the strict hierarchical and bureaucratic organizations, adhocism represents the art of improvisation, of being able to find rapid solutions in critic situations, according to the typical  lifestyle attitude of the Southern parts of the world, where the Do It Yourself practises represent a necessary daily exercise, that nowadays is acquiring an important variable, represented by the democratisation of information technologies and of relation nets. Therefore, the long wave of community of makers has reached Africa as well, thus giving life to something extremely original.

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Design & Production in Italy from ‘Miracolo Economico’ to Present

Abstract: (English) The history of Italian design is characterised by a variety of changes gradually occurring within the relationship design-production. These changes are inherently connected to the structural conditions of the Italian industrial fabric, to the technological development, to the economical changes and to the changing conditions of the design demand and offer both in Italy and all over the world. The present chronicle considers Milan and its surroundings as the centre of a series of events that made the Italian design reach the point that it is still maintaining at a worldly level. Moreover, it takes into account the productive sector of furniture and furnishing accessories, which mainly identify Italian design. As any facts revision, also this one has privileged some aspects and excluded some others, in order to reach its own significance.

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Papairlines Inaugural Flight from Greece

Abstract: (English) Vasso, Costas and Loukas created papairlines, a creative platform that focuses on exposing the methodologies and process behind all things designed. This article describes their initial steps through 'Once Upon A Sponge' project in order to showcase how creativity and teamwork can be used as assets to overcome budget constrains and lack of recourses. Based on the public’s response the project also illustrates the outreach of design in everyday life.

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Start-up Design. A new way to enter the market according to the Israeli experience

Abstract: (English) This article begins with Ely Rozenberg’s personal experience, that led him to move to Italy early in his design career. The thought on his experience leads to some considerations on the difficult integration of young designers in the work market and a look at what is currently characterizing design in Israel: the foundation of numerous design start-ups. Case histories presented can bring valuable advice to young designers.

The pr-objects from the age of Adhocracy

Abstract: (English) ‘Adhocracy' is the exhibition curated by Joseph Grima at the first Istanbul Design Biennial, but more that it is a concept, a tool, a tentative answer to the question of the evolving role of the practical design, the designer and the user-producer in our contemporary society.

In this article the ‘pr-ojects’ described provide some provocative answers to the following questions: Why are we talking about design in Istanbul? How does the open-source system and 3D printing change the production and authorship of objects? How does open-design empower the user? And thus, what are the social and political implications of networking and sharing knowledge of new technologies?

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